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Pia-Paulina Guilmoth’s Flowers Drink the River reveals a dreamscape where mud, earth and stone envelop, and the forest floors are wet with glowing dew. Using a large format camera and careful analogue techniques, Pia finds an entrancing, mystical presence in her daily experiences amidst the forests, fields, and rivers of her home. Pia’s hazy images, filled with light aberrations and glowing spectres, leave us suspended mid-ritual.
Flowers Drink the River spans the first two years of Pia’s gender transition, as she photographs her small community in rural Maine, and the beauty and terror of living as a trans woman in a small right-wing town. Scenes of moths and floating spider silk, mud-drenched bodies intertwining, a burning house, girlfriends pissing on each other from tree branches, nocturnal animals, and euphoric rituals adorn flash-soaked landscapes. Under the moon, the boundaries between people, animals, and the land soften and blur. Flowers Drink the River is an animistic search for beauty, resistance, safety, and magic in a world often devoid of these things. It’s a love note to rural working-class people, trans women, lesbians, queer people and the backwoods of central Maine. Pia finds beauty and belonging as she creates a utopia hidden just barely out of reach.
Pia’s photographs begin with patient acts of co-creation. She stages delicate sculptures out of spider silk, flowers, and other natural materials, then she waits as the land and water, wind, light, or a stray moth, begin to interact with them in unpredictable ways. Sometimes the creation takes the form of building trust with animals, carefully, over many nights.
“each night for a week in august i would sit in the tall, tick-infested grass behind the orchard covered in Scent Killer Gold, wearing a ghillie suit, holding a tray full of crushed apples in one hand, and a 30 foot makeshift shutter release cable attached to my 4×5 camera in the other hand. the same family of deer would get more comfortable with my presence each night. eventually they were eating the ripe fruit from my hands. the following tuesday i would have my first hrt consultation. i was keeping it a secret, knowing there was no way i could safely transition in this place, but also no way i could hide my changing body over the following months and years.” - Pia-Paulina Guilmoth
Presented as large format 3/4 Swiss bound volume, Flowers Drink the River's cover is replete with reproductions of an aged pink craft paper that Pia found stashed in an abandoned house down the road from her home. She then covered a spider web found along the river in a powdered red pigment and adhered it to the paper. Over this a cloth nameplate has been added, while the inside cover features a tipped on facsimile 4x5" contact print that she made in her bathroom.
Shipping Lae December in the USA
Pages — 80
Cover — 3/4 + Swiss bound / facsimmile contact print / fabric tip on
Size — 30x24cm
Stanley Barker
