The Narrow Void Between the Novel and Film

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Thirty-One Days
by Christopher Lowell
During the final month in and around his childhood home, Christopher Lowell photographs a distinct portrait of the American South; a landscape as true as it is mythical. Bodies leap off roofs and fall from trees, suspended in permanent flight. Like skinny dipping, Thirty-One Days is open and vulnerable, resisting the inevitability of change with every image. “For the thirty-one days that I made these pictures, it really did feel like an Eden of sorts, a fleeting paradise.” Lowell sees Thirty-One Days as a love letter to his youth, “sometimes poorly written, smudged and scrawling off the page, but a love letter nevertheless.”

This month, member's also recieve a collectable print and curators notecard.
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